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06.09.–18.10.2026

Beate Haupt

Encounter with Moses

Painting

Matinees at the Kunstverein

06.09.–18.10.2026

Exhibition

Beate Haupt

Encounter with Moses

For her exhi­bi­ti­on in the Old Synagogue, Beate Haupt, an artist who lives and works in Braunschweig and was born in Wolfenbüttel in 1966, has crea­ted a series of works entit­led Encounter with Moses. It deve­lo­ped from an image that had been in her mind for years and that had ori­gi­na­ted while swim­ming in the Mediterranean: a young man with long hair stan­ding in water. A slight chest blur­red the clear attri­bu­ti­on to gen­der. A modern man, yet as if from an old pain­ting, glis­tening, enve­lo­ped in the pale light pur­ple of the water. She wants to show this man, a Moses of today, strong and weak at the same time, strugg­ling with the water, loo­king around fear­ful­ly, stri­ding proud­ly into the floods, blo­wing the water away, swim­ming, drif­ting. Beate Haupt deli­bera­te­ly lea­ves no room for the bibli­cal sto­ry of par­ting the waters and wal­king through them. She wants to show a more ever­y­day sto­ry – as it hap­pens today, all over the world.

08.11.–20.12.2026

Exhibition

Daniel Wagenblast

Man and Space

Daniel Wagenblast, born in Schwäbisch Gmünd in 1963, is a mas­ter craft­sman when it comes to working with wood. Since stu­dy­ing at the State Academy of Fine Arts in Stuttgart, his the­me has been huma­ni­ty in rela­ti­on to the world – be it pis­tols, ani­mals, the glo­be, a car or a church, a tank, a house, a man or a woman. All the­se actors in Wagenblast’s sculp­tures tell sto­ries of shifts in sca­le and wond­rous rela­ti­onships bet­ween the world and peo­p­le and their things: humans as see­kers, wat­chers, drea­mers on the brink of the abyss, or heroes con­quering the world. A com­plex world, an enti­re cos­mos, is crea­ted with simp­le means. His figu­res are rather pro­to­ty­pi­cal and, not unu­sual­ly, based on the artist hims­elf. The deli­bera­te­ly rough sur­face takes away much of any illu­sio­ni­stic impres­si­on – it is the artist’s rea­li­ty that we encoun­ter in the works, which, at a distance from the rea­li­ty we per­cei­ve, imme­dia­te­ly beco­mes the truth.

15.11.2026, 12 pm

Book Presentation

Jürgen Hartmann and Prof. Dr. Andreas Beaugrand

The Synagogues in Oerlinghausen. Jewish History, Remembrance and Contemporary Art

The ‘com­pre­hen­si­ve book’ on the histo­ry of the syn­ago­gues in Oerlinghausen is nea­ring com­ple­ti­on:
Andreas Beaugrand, Jürgen Hartmann (eds.): The Synagogues in Oerlinghausen. Jewish History, Remembrance and Contemporary Art, Bielefeld (KunstSinn Verlag) 2027

At the mati­nee event at the Kunstverein, the aut­hors and edi­tors will pre­sent the lavish­ly desi­gned new book by gra­phic desi­gners Pauline Seidlich (Düsseldorf) and Frederike Schulte (Leipzig) – just over a week after the anni­ver­sa­ry of the November pogroms of 9–10 November 1938, which saw acts of vio­lence against the Jewish popu­la­ti­on in the German Reich orchestra­ted and orga­nis­ed by the National Socialists.

The various syn­ago­gues of Oerlinghausen are the focus of this publi­ca­ti­on. Through an exami­na­ti­on of their ori­g­ins, archi­tec­tu­ral altera­ti­ons and use, it tells the sto­ry of a place whe­re Jewish life was a visi­ble pre­sence for some 250 years – both in ever­y­day life and in the town­s­cape. The book is based on new­ly unco­ver­ed archi­val sources, inclu­ding com­mu­ni­ty accounts and admi­nis­tra­ti­ve records that have scar­ce­ly been ana­ly­sed to date. These sources make it pos­si­ble, for the first time, to trace the histo­ry of the syn­ago­gues in Oerlinghausen sin­ce the 18th cen­tu­ry in a lar­ge­ly com­pre­hen­si­ve man­ner.
Furthermore, this publi­ca­ti­on exami­nes the con­text in which the­se syn­ago­gues were built and exis­ted. Issues of inte­gra­ti­on and exclu­si­on, rising anti-Semitism and govern­ment regu­la­ti­ons had a direct impact on their histo­ry. Ultimately, the key ques­ti­on is why this syn­ago­gue – unli­ke many others – lar­ge­ly sur­vi­ved the Nazi era struc­tu­ral­ly and has been pre­ser­ved to this day as a tes­ta­ment to Oerlinghausen’s Jewish histo­ry.
In view of the incre­asing elec­to­ral suc­cess of far-right poli­ti­ci­ans, such as in Saxony-Anhalt, it is essen­ti­al to put a stop to the­se reac­tion­a­ry ideo­lo­gies and to stand up for tole­rance, free­dom and demo­cra­cy.

06.09.–18.10.2026

Exhibition

Beate Haupt

Encounter with Moses

For her exhi­bi­ti­on in the Old Synagogue, Beate Haupt, an artist who lives and works in Braunschweig and was born in Wolfenbüttel in 1966, has crea­ted a series of works entit­led Encounter with Moses. It deve­lo­ped from an image that had been in her mind for years and that had ori­gi­na­ted while swim­ming in the Mediterranean: a young man with long hair stan­ding in water. A slight chest blur­red the clear attri­bu­ti­on to gen­der. A modern man, yet as if from an old pain­ting, glis­tening, enve­lo­ped in the pale light pur­ple of the water. She wants to show this man, a Moses of today, strong and weak at the same time, strugg­ling with the water, loo­king around fear­ful­ly, stri­ding proud­ly into the floods, blo­wing the water away, swim­ming, drif­ting. Beate Haupt deli­bera­te­ly lea­ves no room for the bibli­cal sto­ry of par­ting the waters and wal­king through them. She wants to show a more ever­y­day sto­ry – as it hap­pens today, all over the world.

08.11.–20.12.2026

Exhibition

Daniel Wagenblast

Man and Space

Daniel Wagenblast, born in Schwäbisch Gmünd in 1963, is a mas­ter craft­sman when it comes to working with wood. Since stu­dy­ing at the State Academy of Fine Arts in Stuttgart, his the­me has been huma­ni­ty in rela­ti­on to the world – be it pis­tols, ani­mals, the glo­be, a car or a church, a tank, a house, a man or a woman. All the­se actors in Wagenblast’s sculp­tures tell sto­ries of shifts in sca­le and wond­rous rela­ti­onships bet­ween the world and peo­p­le and their things: humans as see­kers, wat­chers, drea­mers on the brink of the abyss, or heroes con­quering the world. A com­plex world, an enti­re cos­mos, is crea­ted with simp­le means. His figu­res are rather pro­to­ty­pi­cal and, not unu­sual­ly, based on the artist hims­elf. The deli­bera­te­ly rough sur­face takes away much of any illu­sio­ni­stic impres­si­on – it is the artist’s rea­li­ty that we encoun­ter in the works, which, at a distance from the rea­li­ty we per­cei­ve, imme­dia­te­ly beco­mes the truth.

15.11.2026, 12 pm

Book Presentation

Jürgen Hartmann and Prof. Dr. Andreas Beaugrand

The Synagogues in Oerlinghausen. Jewish History, Remembrance and Contemporary Art

The ‘com­pre­hen­si­ve book’ on the histo­ry of the syn­ago­gues in Oerlinghausen is nea­ring com­ple­ti­on:
Andreas Beaugrand, Jürgen Hartmann (eds.): The Synagogues in Oerlinghausen. Jewish History, Remembrance and Contemporary Art, Bielefeld (KunstSinn Verlag) 2027

At the mati­nee event at the Kunstverein, the aut­hors and edi­tors will pre­sent the lavish­ly desi­gned new book by gra­phic desi­gners Pauline Seidlich (Düsseldorf) and Frederike Schulte (Leipzig) – just over a week after the anni­ver­sa­ry of the November pogroms of 9–10 November 1938, which saw acts of vio­lence against the Jewish popu­la­ti­on in the German Reich orchestra­ted and orga­nis­ed by the National Socialists.

The various syn­ago­gues of Oerlinghausen are the focus of this publi­ca­ti­on. Through an exami­na­ti­on of their ori­g­ins, archi­tec­tu­ral altera­ti­ons and use, it tells the sto­ry of a place whe­re Jewish life was a visi­ble pre­sence for some 250 years – both in ever­y­day life and in the town­s­cape. The book is based on new­ly unco­ver­ed archi­val sources, inclu­ding com­mu­ni­ty accounts and admi­nis­tra­ti­ve records that have scar­ce­ly been ana­ly­sed to date. These sources make it pos­si­ble, for the first time, to trace the histo­ry of the syn­ago­gues in Oerlinghausen sin­ce the 18th cen­tu­ry in a lar­ge­ly com­pre­hen­si­ve man­ner.
Furthermore, this publi­ca­ti­on exami­nes the con­text in which the­se syn­ago­gues were built and exis­ted. Issues of inte­gra­ti­on and exclu­si­on, rising anti-Semitism and govern­ment regu­la­ti­ons had a direct impact on their histo­ry. Ultimately, the key ques­ti­on is why this syn­ago­gue – unli­ke many others – lar­ge­ly sur­vi­ved the Nazi era struc­tu­ral­ly and has been pre­ser­ved to this day as a tes­ta­ment to Oerlinghausen’s Jewish histo­ry.
In view of the incre­asing elec­to­ral suc­cess of far-right poli­ti­ci­ans, such as in Saxony-Anhalt, it is essen­ti­al to put a stop to the­se reac­tion­a­ry ideo­lo­gies and to stand up for tole­rance, free­dom and demo­cra­cy.

Welcome to
Kunstverein Oerlinghausen

A CITIZENS’ INITIATIVE FOR THE ARTS

Five deca­des of the Kunstverein Oerlinghausen – if you take the foun­ding of the first art asso­cia­ti­ons in the 19th cen­tu­ry as a com­pa­ri­son, this is not a sen­sa­tio­nal event. Outwardly. Internally, the time span is fil­led with many good, some­ti­mes out­stan­ding oppor­tu­ni­ties for encoun­ters with art and artists. This citi­zens‘ initia­ti­ve for the pro­mo­ti­on of art has left its mark in the moun­tain town of Oerlinghausen and far bey­ond, and has had a decisi­ve influence on cul­tu­ral life.

Since young Oerlinghausen citi­zens joi­n­ed forces in 1976, more than 230 exhi­bi­ti­ons have enab­led inte­res­ted citi­zens to enga­ge with and enjoy con­tem­po­ra­ry art. This con­sis­tent work, car­ri­ed out by all mem­bers on a vol­un­t­a­ry basis, is also app­re­cia­ted by the artists and has con­tri­bu­ted to making the Kunstverein Oerlinghausen known bey­ond the bor­ders of the regi­on.

The History of the Synagogue in Oerlinghausen

On his own web­site, Jürgen Hartmann draws on num­e­rous his­to­ri­cal sources to pro­vi­de a com­pel­ling account of the latest fin­dings on the histo­ry of the syn­ago­gue in Oerlinghausen — from 1894 to the pre­sent day.