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Upcoming Matinees

Through five exhi­bi­ti­ons a year, the artis­tic direc­tor and board of direc­tors, working on a vol­un­teer basis, pro­vi­de oppor­tu­ni­ties for their mem­bers and all citi­zens inte­res­ted in art. The goal of all the­se initia­ti­ves is to show new paths, open eyes, and awa­ken sensitivity—especially in a noi­sy and super­fi­ci­al world. In addi­ti­on to estab­lished figu­res in the con­tem­po­ra­ry art sce­ne, young artists are regu­lar­ly invi­ted to pre­sent their work to the public. Art in dis­cus­sion is a school for tole­rance. Readings, musi­cal events, and the­med evenings expand the Kunstverein Oerlinghausen’s sophisti­ca­ted pro­gram.

06.09.–18.10.2026

Exhibition

Beate Haupt

Encounter with Moses

For her exhi­bi­ti­on in the Old Synagogue, Beate Haupt, an artist who lives and works in Braunschweig and was born in Wolfenbüttel in 1966, has crea­ted a series of works entit­led Encounter with Moses. It deve­lo­ped from an image that had been in her mind for years and that had ori­gi­na­ted while swim­ming in the Mediterranean: a young man with long hair stan­ding in water. A slight chest blur­red the clear attri­bu­ti­on to gen­der. A modern man, yet as if from an old pain­ting, glis­tening, enve­lo­ped in the pale light pur­ple of the water. She wants to show this man, a Moses of today, strong and weak at the same time, strugg­ling with the water, loo­king around fear­ful­ly, stri­ding proud­ly into the floods, blo­wing the water away, swim­ming, drif­ting. Beate Haupt deli­bera­te­ly lea­ves no room for the bibli­cal sto­ry of par­ting the waters and wal­king through them. She wants to show a more ever­y­day sto­ry – as it hap­pens today, all over the world.

27.09.2026, 11.30 am

Talk

Christina Végh

Art societies and contemporary art

04.10.2026, 11.30 am

Concert

Jenny Meyer

concert with harp

Autumn 2026

Book Presentation

Jürgen Hartmann, Isolde Müller-Borchert and Prof. Dr Andreas Beaugrand

A New History of the Jews in Oerlinghausen

This publi­ca­ti­on focu­ses on the various syn­ago­gues of Oerlinghausen. Through an exami­na­ti­on of their ori­g­ins, archi­tec­tu­ral chan­ges and use, it tells the sto­ry of a place whe­re Jewish life was a visi­ble part of the com­mu­ni­ty for some 250 years – both in ever­y­day life and in the town­s­cape. The book is based on new­ly unco­ver­ed archi­val sources, inclu­ding pre­vious­ly litt­le-exami­ned com­mu­ni­ty accounts and admi­nis­tra­ti­ve records. These enable the histo­ry of the syn­ago­gues in Oerlinghausen sin­ce the 18th cen­tu­ry to be tra­ced in a lar­ge­ly coher­ent man­ner for the first time.

The focus is on the various syn­ago­gues: ear­ly pray­er rooms in pri­va­te or ren­ted pre­mi­ses from the mid-18th cen­tu­ry onwards, fol­lo­wed by two mode­st buil­dings, and final­ly the impo­sing new buil­ding from the late 19th cen­tu­ry on Tönsbergstraße. These syn­ago­gues also tell the sto­ry of the deve­lo­p­ment of the local Jewish com­mu­ni­ty. They reve­al inter­nal Jewish con­flicts, reli­gious ori­en­ta­ti­ons and social chan­ges.

Furthermore, the publi­ca­ti­on exami­nes the con­text in which the­se syn­ago­gues were built and exis­ted. Issues of inte­gra­ti­on and exclu­si­on, rising anti-Semitism and govern­ment regu­la­ti­ons had a direct impact on their histo­ry. Ultimately, the key ques­ti­on is why this syn­ago­gue – unli­ke many others – lar­ge­ly sur­vi­ved the Nazi era struc­tu­ral­ly and has been pre­ser­ved to this day as a tes­ta­ment to Oerlinghausen’s Jewish histo­ry.

08.11.–20.12.2026

Exhibition

Daniel Wagenblast

Man and Space

Daniel Wagenblast, born in Schwäbisch Gmünd in 1963, is a mas­ter craft­sman when it comes to working with wood. Since stu­dy­ing at the State Academy of Fine Arts in Stuttgart, his the­me has been huma­ni­ty in rela­ti­on to the world – be it pis­tols, ani­mals, the glo­be, a car or a church, a tank, a house, a man or a woman. All the­se actors in Wagenblast’s sculp­tures tell sto­ries of shifts in sca­le and wond­rous rela­ti­onships bet­ween the world and peo­p­le and their things: humans as see­kers, wat­chers, drea­mers on the brink of the abyss, or heroes con­quering the world. A com­plex world, an enti­re cos­mos, is crea­ted with simp­le means. His figu­res are rather pro­to­ty­pi­cal and, not unu­sual­ly, based on the artist hims­elf. The deli­bera­te­ly rough sur­face takes away much of any illu­sio­ni­stic impres­si­on – it is the artist’s rea­li­ty that we encoun­ter in the works, which, at a distance from the rea­li­ty we per­cei­ve, imme­dia­te­ly beco­mes the truth.

22.11.2026, 11.30 am

Performance

Anna Bella Eschengerd

Settled in

06.09.–18.10.2026

Exhibition

Beate Haupt

Encounter with Moses

For her exhi­bi­ti­on in the Old Synagogue, Beate Haupt, an artist who lives and works in Braunschweig and was born in Wolfenbüttel in 1966, has crea­ted a series of works entit­led Encounter with Moses. It deve­lo­ped from an image that had been in her mind for years and that had ori­gi­na­ted while swim­ming in the Mediterranean: a young man with long hair stan­ding in water. A slight chest blur­red the clear attri­bu­ti­on to gen­der. A modern man, yet as if from an old pain­ting, glis­tening, enve­lo­ped in the pale light pur­ple of the water. She wants to show this man, a Moses of today, strong and weak at the same time, strugg­ling with the water, loo­king around fear­ful­ly, stri­ding proud­ly into the floods, blo­wing the water away, swim­ming, drif­ting. Beate Haupt deli­bera­te­ly lea­ves no room for the bibli­cal sto­ry of par­ting the waters and wal­king through them. She wants to show a more ever­y­day sto­ry – as it hap­pens today, all over the world.

27.09.2026, 11.30 am

Talk

Christina Végh

Art societies and contemporary art

04.10.2026, 11.30 am

Concert

Jenny Meyer

concert with harp

Autumn 2026

Book Presentation

Jürgen Hartmann, Isolde Müller-Borchert and Prof. Dr Andreas Beaugrand

A New History of the Jews in Oerlinghausen

This publi­ca­ti­on focu­ses on the various syn­ago­gues of Oerlinghausen. Through an exami­na­ti­on of their ori­g­ins, archi­tec­tu­ral chan­ges and use, it tells the sto­ry of a place whe­re Jewish life was a visi­ble part of the com­mu­ni­ty for some 250 years – both in ever­y­day life and in the town­s­cape. The book is based on new­ly unco­ver­ed archi­val sources, inclu­ding pre­vious­ly litt­le-exami­ned com­mu­ni­ty accounts and admi­nis­tra­ti­ve records. These enable the histo­ry of the syn­ago­gues in Oerlinghausen sin­ce the 18th cen­tu­ry to be tra­ced in a lar­ge­ly coher­ent man­ner for the first time.

The focus is on the various syn­ago­gues: ear­ly pray­er rooms in pri­va­te or ren­ted pre­mi­ses from the mid-18th cen­tu­ry onwards, fol­lo­wed by two mode­st buil­dings, and final­ly the impo­sing new buil­ding from the late 19th cen­tu­ry on Tönsbergstraße. These syn­ago­gues also tell the sto­ry of the deve­lo­p­ment of the local Jewish com­mu­ni­ty. They reve­al inter­nal Jewish con­flicts, reli­gious ori­en­ta­ti­ons and social chan­ges.

Furthermore, the publi­ca­ti­on exami­nes the con­text in which the­se syn­ago­gues were built and exis­ted. Issues of inte­gra­ti­on and exclu­si­on, rising anti-Semitism and govern­ment regu­la­ti­ons had a direct impact on their histo­ry. Ultimately, the key ques­ti­on is why this syn­ago­gue – unli­ke many others – lar­ge­ly sur­vi­ved the Nazi era struc­tu­ral­ly and has been pre­ser­ved to this day as a tes­ta­ment to Oerlinghausen’s Jewish histo­ry.

08.11.–20.12.2026

Exhibition

Daniel Wagenblast

Man and Space

Daniel Wagenblast, born in Schwäbisch Gmünd in 1963, is a mas­ter craft­sman when it comes to working with wood. Since stu­dy­ing at the State Academy of Fine Arts in Stuttgart, his the­me has been huma­ni­ty in rela­ti­on to the world – be it pis­tols, ani­mals, the glo­be, a car or a church, a tank, a house, a man or a woman. All the­se actors in Wagenblast’s sculp­tures tell sto­ries of shifts in sca­le and wond­rous rela­ti­onships bet­ween the world and peo­p­le and their things: humans as see­kers, wat­chers, drea­mers on the brink of the abyss, or heroes con­quering the world. A com­plex world, an enti­re cos­mos, is crea­ted with simp­le means. His figu­res are rather pro­to­ty­pi­cal and, not unu­sual­ly, based on the artist hims­elf. The deli­bera­te­ly rough sur­face takes away much of any illu­sio­ni­stic impres­si­on – it is the artist’s rea­li­ty that we encoun­ter in the works, which, at a distance from the rea­li­ty we per­cei­ve, imme­dia­te­ly beco­mes the truth.

22.11.2026, 11.30 am

Performance

Anna Bella Eschengerd

Settled in